Another of these, and for the moment the last. However I am already thinking of a sequel where I'll ask people to send random English phrases for me to compose together...
This time I had the idea to start with waltz rhythm. This did not survive contact with the enemy (I am my own worst enemy) as the three-part rhythm became too fast (for human legs) and so I ended up putting four of those together to make 12/8 time.
You'll be wondering about the title...
You're not? Do you have no spirit of enquiry!?
The Sieve of Eratosthenes is a mathematical idea for finding prime numbers: you take all the numbers except one. Two is your first prime, so you take that, then sieve out and discard from the rest everything divisible by two. Three is your next surviving number, so that's prime, and now you discard everything remaining that's divisible by three. Repeat until the infinite initial pile of numbers is gone.
This piece relates to that in that I created a phrase that repeats every bar (the numbers, if you like). Then I added a second phrase that repeats every two bars (sieving the even numbers) and another that repeats every three bars, and so on... This means that the phrases keep coming up in different combinations and revealing themselves in new lights...
And it is a round in as much as the different voices repeat themselves, albeit with different recurrences.
I did not go on forever, you will be pleased to hear :-)
Cast in alphabetical order of height:
Maud Cooper - Whisperphone
Simon Crowell - "Ba Da Daa"
Mary Crowell - "Beh!"
Angela van Son - "Schuft"
2018-07-29
2018-07-15
Cloud Crowd Found Sound - 2.0 - "Woy Oy Oy"
Another stab (with a blunt instrument) at one of these.
This time it took me longer to find a starting point that I could work from. I decided I wanted to break the utterances down further into mostly syllables, or rather "phonemes" since we're spoken not written.
I did that and got some great sounds out of the voices, but after that I got jammed. There were plenty of nice "melody" bits, and plenty of lovely percussive sounds, it was just that however I put the latter together it came out like somebody playing with a drum machine and failing to grasp the hotel room trashing aspect of rock and roll.
And so things stood for a few days...
And then I remembered my clarinet lessons. A lot of clarinet music is "swing" (which means splitting each beat into 2/3 and 1/3 instead of two equal parts) and a lot of clarinet studies use cool time signatures...
So I tried 5/4 (swing) and behold... the whole thing started to work...
Cast
Bo Meson - Solo human voice
Rosemary Badcoe - First percussive and "Daa"
Angela van Son - Second percussive, "Hey!" and freaky laughter
Milo van Eerd - Special effects
Shouted interruption appears by kind permission of Mark Hurdiss.
This time it took me longer to find a starting point that I could work from. I decided I wanted to break the utterances down further into mostly syllables, or rather "phonemes" since we're spoken not written.
I did that and got some great sounds out of the voices, but after that I got jammed. There were plenty of nice "melody" bits, and plenty of lovely percussive sounds, it was just that however I put the latter together it came out like somebody playing with a drum machine and failing to grasp the hotel room trashing aspect of rock and roll.
And so things stood for a few days...
And then I remembered my clarinet lessons. A lot of clarinet music is "swing" (which means splitting each beat into 2/3 and 1/3 instead of two equal parts) and a lot of clarinet studies use cool time signatures...
So I tried 5/4 (swing) and behold... the whole thing started to work...
Cast
Bo Meson - Solo human voice
Rosemary Badcoe - First percussive and "Daa"
Angela van Son - Second percussive, "Hey!" and freaky laughter
Milo van Eerd - Special effects
Shouted interruption appears by kind permission of Mark Hurdiss.
2018-07-05
Cloud Crowd Found Sound - 1.0 - "Comfrew"
Here is a first take on a piece constructed from contributed nonsense utterances...
It was harder than I thought, not least because no two pieces of the gibberish I was given were in the same language. Ah! I hear you quibble (don't quibble, it is unappealing) but gibberish by definition has no language. Well that shows how much you know:
I didn't do too much clever manipulation of the voices, although I did shift pitch a couple of times to let them harmonise with themselves (intensely so in one small fragment but that didn't fit and is quite far in the background). I also stretched the duration of the odd word to allow a slight hold at the ends of phrases.
I'm well fired up by this and if people send more I will do more.
Cast in order of appearance:
"KaKa Kaka" - Phoebe Boulton
"Folderton" - Mark Hurdiss
"Comfrew" - Thom Boulton
"Choitaak" - Rosemary Badcoe
"Muldarte" - Michael Acker
"Doolally Meringuephone" - Mike Cooper
It was harder than I thought, not least because no two pieces of the gibberish I was given were in the same language. Ah! I hear you quibble (don't quibble, it is unappealing) but gibberish by definition has no language. Well that shows how much you know:
- "Meringuephone" is clearly an English nonsense word.
- "Svertlo" is clearly not.
I didn't do too much clever manipulation of the voices, although I did shift pitch a couple of times to let them harmonise with themselves (intensely so in one small fragment but that didn't fit and is quite far in the background). I also stretched the duration of the odd word to allow a slight hold at the ends of phrases.
I'm well fired up by this and if people send more I will do more.
Cast in order of appearance:
"KaKa Kaka" - Phoebe Boulton
"Folderton" - Mark Hurdiss
"Comfrew" - Thom Boulton
"Choitaak" - Rosemary Badcoe
"Muldarte" - Michael Acker
"Doolally Meringuephone" - Mike Cooper
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