Showing posts with label shelves. Show all posts
Showing posts with label shelves. Show all posts

2017-10-07

Devotions (dedicated to Brenda Levy Tate)

(Dedicated to Brenda Levy Tate)


My favourite of Brenda's recent photos
this has everything: a galaxy, a self-portrait,
an outhouse...
Brenda is somebody I know but have never met.  Thus is the power of the internet.  Brenda and I used to hang out with other like-ish minded individuals on a poetry forummany years ago now.  We shared and critiqued work, we chatted of this and that...

More recently I've known her on Facebook, and I've come to appreciate the great love she has for her family, and the region where she lives (Yarmouth in Nova Scotia); her on-going quest for interesting bargains in the local shops (the "interesting" is more important to her than the "bargain")...  She also often shares her concern for her fellow inhabitants, their political travails, and the local weather and its impact on the fishing crews (some of whom she's related to...)

But the most wonderful thing about Brenda is her unreasonable devotion to staying up all night, or getting up at 6:00 a.m., or even 3:00 a.m. and going out alone into the surrounding countryside for no reason except to photograph the stars.

This photograph here is my favourite recent example, and this poem is a recent one of hers that won first place in the IBPC poetry competition for January 2017.  This site contains some of her photography, although not a huge amount of the astrophotography which she admits needs updating.

Is Brenda my friend?  Can you have a friend you have never met and never will meet?

The answer, of course, is it doesn't matter!  Labels are not required.  The internet has invented several new types of friendship over the years, and no doubt will again.  The fact that, as a species we can invent new kinds of friendship: that's surely something hopeful, something worth devoting ourselves to...







Devotions

After she leaves the nunnery, her suitcase waits
for the shuttle bus, patient in Italian dust.
She returns to Coventry, to rain and rooms
with a distant Aunt.  She is adrift.  She tries

to lift her mood in the public library
but chances into the reference section
and reads it all.  Three years later she upgrades
to a visitor's ticket at the University;

still lost, but finds Philosophy to be filled
with many helpful guides.  She chats with Plato;
hides from Nietzsche; finds Kant natural
but Heidegger hard and chances at last

on Teilhard de Chardin who takes her in hand.
They hike four hundred Dewey Decimals north
to land in Astrophysics, right next to Carl Sagan
and the world moves

the very next day in Morrisons--her palm
against fluorescents is filled with brighter light.
We are star stuff.  We are golden.  And as for the Garden...
it's obvious we've never left.
 
***

The check-out assistant frowns,
but sells the apple anyway.

***

Most mornings now she jogs, and in the afternoons
her job at the railway information desk
will let her set lost travellers on their way.

So much for the days.  In the evenings she returns
to the tiny room.  She has travelled now so far
that light leaving the Abbess at T = 0
will never catch her up.

Sometimes she works on relating theory
to everything; sometimes she sits
and watches stars go past the window. 



2017-04-08

The Attics of the Dead

I've got stalled on this year's NaPoWriMo, I think because I'm still really tired following Rosemary's book launch on Thursday.  So I've dug up this old one from last year's poetry writing month.

This is an attempt to capture the mood and strangeness of a real recurring dream I used to have.  Where I'd be wandering the attics of some building which in real life didn't have any, and there would be and shelves and shelves of interesting boxes.  Not that in the dream I every got to open any of the boxes...

There's a reference to my Granddad in this, and that is how come this poem is "of the dead".  His and Nana's house was a common location for the dream, although not the only place it could be set.

All my grandparents are dead now.  You can never go back, can you...







The attics of the dead


I no longer dream the attics of the dead
but I recall the qualities of dust
and light and wooden shelving where I pass
my unshod sleep feet silent on the boards.
There are always more: more boards, more boxes,

suitcases, cabinets and old wardrobes...
more attics.  Up some turning stair, or through
a low door: a further shelfscape; hatches
in the ceiling through which unpainted ladders
climb higher still to attics which by rights

should be much smaller than the floor below.
They're not, of course, there's always more and I
will wander rarely distracted by a beam
of skylight cutting through or a corridor
window through which I peer to see forever

roofs and tiles and access ways and never
a hint of any world below.  Through windows
sometimes I will glimpse another distant pane
of glass though which, enticing,  I'll see the backs
of other shelves all filled with such exciting

packages, but which I know I'll never reach.
There isn't any lesson for this place to teach,
I am not lost, or trapped; I'm just aware
that granddad knows of every item there,
but still, somehow, my exploration
does not posses an end.




2015-04-15

Coming round

Cartoon characters should
drink responsibly...
Not much to explain here, one I wrote from a prompt on a poetry forum in 2012.


Today I would avoid the coincidence of strophe breaks and full-stops in the first two verses, but otherwise still reasonably pleased with a sweet and simple piece.


(Note added later: this was also featured in a collection celebrating poets from the, now defunct, Critical Poet online forum.)



Coming round

Maybe I can say it in a different way: it's more
the angle of the orange street light that draws
a shadow between us as we sit with cheap wine
in the spare room and the evening and the dark.

It's more that the presents you brought me
were typical of your kooky creativity; while
the presents I bought you were expensive
and you, often, were thinking of someone else.

And on that day in June when it rained
tiny plashes in the dust and you said the
smell of dust and rain made you horny and sad,
I said it's more your sadness makes it rain

and then you laughed, but it didn't stop raining.
It was more my idea to drift away, not to fight,
but more your idea to keep my books
and CDs in your spare room—on shelves

I erected long ago in another country—so when
I want something I have to come by
with the bottle of supermarket Chianti, and sit
with you, the dark, the dust; now it's raining.