What is her mission here on Earth?

This was recently on the front page of Poetry Circle which is a great poetry magazine/forum site with lots of active members and a lot of energy.  A good place to check out...

What it is this about?  Well there's loneliness and isolation, wistful longing for another person...  but I think mostly this is about the awkwardness of adolescence and growing up.  Boy wants girl.  Boy doesn't understand girls.  Boy speculates wildly...

...obviously it works the same for any other combination of genders, and the gender of the protagonist is in fact wholly in the gift of the reader... is in fact a sort of 'everyperson'; a symbol for any or everyone.

One day, maybe, she'll speak to us and everything will change.

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What is her mission here on Earth...


...and do I even waste what chance I have
lounging beside my locker, checking-out
the girl from Mars?  Nobody ever saw
her father's car: so maybe she gets dropped
at five a.m. by shuttle-pod somewhere far

beyond the football ground.  She has no clique,
not even in the default group for freaks
and friendless geeks--I know; I've run with them
myself.  How can you stand outside outsiders?
Unless intelligence, so alien

broods silent in one eye?   It sees but does
not do; it won't join in; her hands so thin:
she writes machine-like, awkward and a touch
frustrated, as if  paper with only two
dimensions is so quaint.  She ain't stupid

in maths, she writes the answer first, before
the working out.  And think of Martian sex!
Does she have tentacles...?  Scratch that.  Relax...
Focus on facts.  She's drifted through these halls
for three years now, with always half a smile,

an emissary from mission control;
or maybe robot telepresence rig,
that sort of thing: space-probe or bomb-disposal
mechanism driven by a soul, distant,
the far end of a string that's pulled so tight

out of an empty tin.  I'll ask again:
What is our mission here on Earth?

NaPoWriMo - 2017 - April 16th - Language does not exist…

Language does not exist…


Language does not exist…

not in the sense of something we can touch,
engineer, pass from hand to hand, feel the grain.  Language…
the shared delusion is an illusion.  We understand chocolate cake,
a concrete thing: we agree the broad idea
but only one of us recalls Paul, at two years old,
smothered in the stuff.

Less agreement with abstractions: my love
is not your love; and my sovereignty
doesn’t exist at all.

How much worse when we get to something you don’t know.
You mention that you like to go kayaking
but I have never experienced the sudden cool
of near ice water running from a paddle into my sleeve
or the semi-resonance of millimeter-thick fiberglass
rebounding from submerged geography.


Language does not exist…
although the dictionary says otherwise.
The words in the book of lexical lore
will claim to, with precision, pin a meaning on every
possible utterance. They do not and cannot;
Dictionaries do not exist…

Language isn’t definitive or declarative,
it isn’t even functional at heart. It’s metaphorical.

Let’s get high!

We can do that here on the hill,
with the stepladder,
and you are very tall;
and the guitar solo goes up and up;
and you've been promoted, by a higher power;
your salary is now so much,
but this meat’s off;
the electricity is strong;
your church is formal;
and your fashion sense is very sharp today.

All these things are someway “high”
but the only way in which three octaves above middle C
is like a piece of rotten meat,
is buried deep
in our psychology/neurology.


Language does not exist…
not as something fixed
which you can grasp with thought or pen.
Continual flux is all there’s ever been:
spellings, meanings and usages
shift beneath our tongues
like extreme sushimi.

You, I hope, understand me.
Shakespeare, however, would get me less
and Chaucer might think I was speaking
a foreign language.

I take my words back,
I take them back in time until,
somewhere maybe in the 9^th or 10^th century
there comes a point where they have no meaning at all...


...because language does not exist.
Not even in the other direction.
My words are of course
recorded for posterity, but after I die and as they age
what anybody understands fades out.
Until there comes a moment
when my great, great, great, great grandchild
—factoring, loneish in the interspace—
wonders what planet I was from.

If I was truly great,
people would update me
once per generation,
but we can't all be Shakespeare
—if nothing else Shakespeare's already done that.
So there that's us evolving once again.


Language does not exist…
Je suis un éléphant.  I might say,
if I was French,
and an elephant. Those who are the sort
to understand French elephants would shrug
expressively
and wonder why I stated the obvious

but my words would be gibberish
to the differently linguistically endowed.

English exists,
French exists,
and they’re langages…
but they’re not language itself, which does not exist.
English/French dictionaries, in particular, do not exist.


Language is a maelstrom, language is a storm.
People think they pin it down, control it...
define it;
but they may as well bottle the hurricane.

Grammarians will claim they can explain
and lay down every part of speech in grammar books.
Grammar books do not exist
and as for the people who write them:
I've never met one.


Language does not exist…
so set yourself free!
No ploddy, tetrapody emphraslement for me!
No momentary ding.  Talk toboggan listen
all everness towards myself true wordy
and ultimatum infiltrate the thing
of do magnificence, superlative, and evermore unstopped.

Nobody can stop me doing this
and nobody can touch me for it...

because language does not exist.

A War to end all Worlds

Last night I finally watched a BBC program on the War Poets that I recorded in June.  It focussed not just on their poetry, but also on the landscape and events that they inhabited around the Somme: battles they fought in, what poems they wrote afterwards, where they died.

And that reminded me of this, which I think sprang from a previous time when I had been listening to Jeff Wayne's War of the Worlds in close proximity to reading another account of the first World War.  It's an easy juxtaposition, Martian fighting machines against barbed wire and artillery, but I should (and do) feel a little uncomfortable about it.  I am welding together bloody history and SciFi fantasy after all.

My defence for this latter point is threefold:

1. This was written with the intent of using the fantasy war as a mechanism to highlight the horror of the real war...
2. Wells himself was certainly critiquing the empire building and conquest of his time...
3. You don't get SciFi authors in front of War Crimes Tribunals*

(*Although if any ever do, you can bet the charge sheet with be spectacular.)

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A War to end all Worlds

When the whistles were blowin'
and there was me
there was me and Smiggy
and the two Johns

Johnny C and Johnny F and
nothing for it
but to go over the top.
We could not see

no tripods from where we were
but we knew alright
they were out there somewhere
lumbering in

with beams and gas and voices
like foghorns boomin'
and foghorns seemed to fit
with that black gas.

Smiggy bought it first, smashed
down by steel feet
that fell amongst us sudden
in the wire

we couldn't even stop
though Johnny C
would have headed back
exceptin' I swore.

Johnny F got caught out
in the open
when two tripods came up
and burned down

where he stood.  We cowered
in the water
in a half-collapsed trench
hearing steel grind

closer to us.  Lining up
on the angle
of the trench and we knew
the Martians had us

but a squad of gunners
with a Vickers gun
had set it up quiet-like
and cut them down.

It's a beautiful machine
the Vickers gun
if you like to kill things
and that was my war.